What Dreams Are Made On.....Teller's Tempest

"We are the stuff that dreams are made on and our little life is rounded with a sleep."

- Prospero, The Tempest by William Shakespeare

Photo by The Smith Center/Geri Kodey

"One morning in the late 1970's I woke from a dream in which I was Prospero, the great magician of The Tempest. As Prospero I was fighting "mine enemies" not by stabbing them with a sword, but by driving them mad with illusions." - Teller 

The Tempest brought to life in this way has been a fantasy of Teller's for thirty years. What a lovely gift this magician has given to our magical city....to bring his dream to life for the first time and to do so inside a tent at The Smith Center's Symphony Park in downtown Las Vegas. Leave it to Teller to stage the show in this way, with magic, illusions and music so that it may be experienced as it never has before. The mission of The Smith Center, is "to build and establish a high quality performing arts center ....by supporting artistic excellence, education and inspiration for all." So this is a dream realized by The Smith Center in that this type of production not only takes place, but originates here. The Smith Center has done so much for Las Vegas, by creating options that never existed before and helping to spread awareness that Las Vegas, a town of musicians, actors, dancers, artists, visionaries and more is a city brimming with culture.

The production will move on to Cambridge next month to Harvard's Loeb Drama Center, then perhaps eventually Broadway. The other major player making Teller's dream a reality is his Co-Director Aaron Posner, with whom he staged a production of Macbeth in 2008.

The other night when I entered the tent what struck me first was the smell and feel of dried grass under my feet.  As I rounded the corner from behind the bleachers and saw the stage, I had a flash of what it must have felt like to see a play at the Old Globe Theatre back in Shakespeare's day. Then, upon hearing the song..."Everything You Can Think of is True," I felt infused with the coming magic already.

The stage of The Tempest....Photo The Smith Center/Geri Kodey

Photo by The Smith Center/Geri Kodey

Our story starts with a tempest...a violent and windy storm.

Prospero, the main character, creates this tempest to trap his deceitful enemies, one of whom is his own brother, Alonso. 

Prospero, having been sent adrift 12 years before in an unworthy sea vessel with his 3 year old daughter, so that Alonso could steal his title as Duke of Milan, now seizes his chance for vengeance. As expected his brother and his posse have not changed a bit. Prospero, a magician, has a few tricks up his sleeve. The enemies are in Prospero's territory now and instead of violence he enacts his revenge with disturbing and bizarre illusions.  After this, the island and its inhabitants are truly in a whirlwind surrounded by trickery and vengeance, never sure what is real and what is not, and so are you, fair audience. The equally important focus of the story is on Prospero's love for his daughter Miranda.  She has no memory of life with anyone other than her father and a few unusual island inhabitants, until the strangers arrive.

The cast is made up of members of the Harvard affiliated Actors Repertory Theatre, (A.R.T.) and the dance company Pilobolus. Incorporating Teller's magic into this production was a unique part of the actors' roles, and they did it beautifully. Although I have studied and performed Shakespeare I have not seen The Tempest before, so this was truly special for me.

The music and lyrics of Tom Waits and Kathleen Brennan combined with the bluesy and other worldly sound of the spirit band Rough Magic, lends a dreamy and introspective background to the experience. Songs such as "You're Innocent When you Dream," and "Shiny Things," and the lead singers, Miche Braden and Shaina Taub, are wonderful. Their voices together are seductive, haunting and oddly comforting. Tom Waits' music completely transports the audience to the strange world that the cast and crew of The Tempest have so skillfully created.

"Everything we do with the magic serves the story." - Aaron Posner

Cast...Photo by The Smith Center/Geri Kodey

What the integrated magic does is match the audience's experience to the characters in the sense that we are never sure when we are going to see something odd or amazing, including characters emerging from house left and right.

I found it interesting that the two Shakespeare plays Teller has chosen to bring to the stage are also the two that deal most with the use and abuse of the powers of magic and the spirits. Teller's lifetime of experience with magic gives him a perspective of these works that few have.

"My main goal with this show is to make it entertaining.... and as understandable as 
the one that Shakespeare wrote and to take out all the obstacles that people 
normally have to enjoying and understanding Shakespeare." - Teller

Shakespeare wrote The Tempest after having written about humanity, greed, power, love and so much more, for decades. Most experts say it was the last play he ever wrote entirely by himself. I like to think perhaps with The Tempest he was writing about the most enduring human emotion of all, love, and that is what to look for in the midst of the "tempest" that is all of our lives.

 

"We are the stuff that dreams are made on and our little life is rounded by a sleep."
William Shakespeare was born on April 23 and died on his birthday, 52 years later.

Teller talks about the Las Vegas production of The Tempest, Video by The Smith Center/Paul Alvarez Link http://youtu.be/TempestWorldPremiere

Sources:
thesmithcenter.com
wikipedia.org
LasVegasReviewJournal.com/entertainment/teller-s-magical-tempest-marks-its-world-premiere-smith-center
Lasvegasweekly.com/ae/stage/2014/apr/08/theater-review-tempest-ranks-magical-productions/#/0
google.com
The Complete Works of William Shakespeare, (1978 edition)
Shakespeare and the Invention of the Human, Harold Bloom, 1998


Anna Wendt Copyright 2014

Lights, Cameras, The Oscars!...A musical tribute

Most of us instantly recognize the first few notes of songs from many Academy Award winning films.

The melancholy longing of Moon River as Audrey Hepburn's "Holly Go Lightly" stares into a Tiffany window display after a night out, not wanting to go home. Somewhere Over The Rainbow where Dorothy dreams about a world far beyond her Kansas farm. The first few notes of the theme song from Chariots of Fire has played through everyone's head at one time or another.....instantly recognizable and quietly uplifting.

Many of these beautiful compositions were brought to life by the Las Vegas Philharmonic last Saturday night at Reynolds Hall at The Smith Center for the Performing Arts, their resident venue for a year now. It was a one night only event. I like these. They can be very special because there is certainly no trace of monotony in the performance like there can be in long running shows. This orchestra did not disappoint!

A few of the members of the Las Vegas Philharmonic. Courtesy of Jennifer Scott.

For me, two of the best of the night were Let The River Run,  from "Working Girl", and the Theme from Rocky, (every underdog's victory anthem). I forget how amazing this composition is on its own even without the visual of Sylvester Stallone running up the steps of the Philadelphia Museum of Art.

However, the tears came quickly to Unchained Melody and My Heart Will Go On, thinking of the recent loss of my mother, and my father's daily struggle to carry on without her as the date for their 50th anniversary approaches. 

Nat Chandler and Teri Dale Hansen rounded out the experience with superior vocals. The songs varied greatly in style and era, and on top of that Reynolds Hall is huge, so that's no easy feat!

The final event of the Las Vegas Philharmonic season is "Celestial Bodies", May 4.

POPS IV

Lights, Camera, The Oscars!

Guest Conductor Randall Craig Fleischer

Guest artists:Teri Dale Hansen, Soprano

Nat Chandler, Baritone

Tara's Theme, Gone With The Wind............................Max Steiner, Arr. Frank Campbell

The Trolley Song, Meet Me in St. Louis.......................Ralph Blane, Hugh Martin, Arr. Wayne Barker

The Way You Look Tonight, Swing Time......................Jerome Kern, Arr. Wayne Barker

I've Got You Under My Skin, Born to Dance................Cole Porter, Arr. Wayne Barker

Over the Rainbow, Wizard of Oz..................................Harold Arlen, Arr. Richard Hayman

Evita Highlights............................................................Andrew Lloyd Weber, Arr. Calvin Custer

Don't Rain on My Parade, Funny Girl..........................Jule Styne, Arr. Richard Hayman

Gigi, from Gigi.............................................................Frederick Lowe, Arr. John Russo

A Whole New World, Aladdin.......................................Alan Menken, Arr. Danny Troob

Let The River Run, Working Girl.................................Carly Simon, Arr. Rick Bassett

Tribute to John Williams...(Star Wars/Jaws/Superman/Harry Potter).......John Williams

Moon River, Breakfast at Tiffany's...............................Henry Mancini, Arr. Wayne Barker

The Days of Wine and Roses, (song same)................Henry Mancini, Arr. Richard Hayman

Victor Victoria Medley..................................................Henry Mancini

Chariots of Fire...........................................................Vengelis, Arr. Jim Riley

Rocky Highlights..........................................................Bill Conti, Arr. Robert Lowden

Unchained Melody, Ghost...........................................Alex North, Hy Zaret,  Arr. Eric Walton

My Heart Will Go On, Titanic.......................................James Horner, Arr. Wayne Barker

(I've Had) The Time of my Life, Dirty Dancing.............Previte, DeNicola, Markowitz, Arr. Joseph Joubert

Presented by Friends of the Las Vegas Philharmonic

natchandler.com

terihansen.net

Las Vegas Philharmonic Fanfare 2012...
Sampler from YouTube Channel lvphilvideos

Las Vegas Philharmonic website

All photos provided by the Las Vegas Philharmonic

Excerpt from LVPhil.org below

About Us

On July 4th, 1998, the Las Vegas Philharmonic launched its classical music presence in Southern Nevada, bringing a refined new cultural dimension to the city. The presentation of five Masterworks Series concerts and four Pops Series concerts in Reynolds Hall at The Smith Center for the Performing Arts October 2012 through May 2013 will be the orchestra's first full season in the new venue, which opened in March 2012, as its resident orchestra, and connotes another important milestone in the continued growth of the organization.