Thursday, July 5, 2018

Michelle Johnson's Salute to the Great Singer-Songwriters

Michelle Johnson performed her "Salute to the Great Singer-Songwriters" last Friday night at Myron's Cabaret Jazz at The Smith Center.

I've known Michelle for a few years now. We met when I first wrote about her as part of an ensemble cast in "Divorce Party" at Bally's. She is multi-talented and always involved in a lot of different things, but I've noticed recently she seems to have zeroed in on singing as her main focus. 


After kicking off the show and opening song, This Is It by Kenny Loggins, Michelle dealt with a wardrobe malfunction by joking about it and moving on.

She then went on to talk about some of the singer-songwriters that inspired her from a young age like James Taylor, Stevie Wonder, Billy Joel, and Carole King. This was followed by her especially poignant version of Both Sides Now

Michelle shared that she also has written a lot of her own songs. Recently, after playing a few for Grammy Award Winning Producer Kamau Kenyatta he encouraged her to record them, and so they are now working on an album of her originals. She then sat down at the piano to play and sing one of these songs. It was a touching ballad about being "All In."


Michelle Johnson Myron's Cabaret Jazz photo by Ira Kuzma

During the show she also sang one of my favorite Joni Mitchell numbers Big Yellow Taxi, while weaving in a little scat here and there. I was pleased Michelle also included Tracy Chapman, who is someone I personally never hear enough of. The song was Fast Car, which we all know is not really a song about a car but about getting out of a rut and changing the direction of one's future.

One of the highlights of the show and most enjoyable renditions of a song I've ever heard was Serve Somebody by Bob Dylan. Michelle did this as a what I can only describe as a disco gospel style, and with the band and backup singers, it was the best blend of all of the onstage talent of the night!

Michelle has worked with many well known singer-songwriters over the years. Near the end of the show she talked about one time in particular when she sang Hey Jude at the Hollywood Bowl as part of an All Star fundraiser with none other than Paul McCartney. She told this story intermittently while singing the song. It all built up to a beautiful climax and the audience seemed to love it, as did I.  

Michelle Johnson's next show, "Tapestry Unraveled," which is a tribute to Carole King will be back at Myron's Cabaret Jazz on November 18, 2018

Michelle Johnson's Tribute to Singer-Songwriters
Musical Director Jeff Neiman
Singers Gret Menzies Gonzalez, 
Jassen Allen, Jolana Sampson-Adamson
Band Pablo Gadda, Walter Jones, Don Meoli

 

Monday, July 2, 2018

The Cocktail Cabaret Celebrates 100th Performance

I've been a fan of "The Cocktail Cabaret" since it opened last winter. The show is cabaret style with a touch of modern flair and has a start time of 6pm, which makes it the perfect kick off to an evening out in Las Vegas.

Before the 100th performance celebration of the show Friday night I was chatting with Derek and Hailey, a couple from Kansas seated at our table with us. Hailey said to me "I told Derek I wanted to do something tonight we've never done, and we've never been to a cabaret show, so I chose this."

For those like Hailey who are not familiar, a cabaret show is one usually performed by an ensemble that involves song, dance and banter in an intimate venue. When talking before the show with host and performer Eric Jordan Young I asked what he likes most about performing in "The Cocktail Cabaret" and he said, "Actually the whole show in its entirety because many people don't know what cabaret style is, that it's audience interactive, and we get to show them that."

L to R Philip Fortenberry, Daniel Emmet, Niki Scalera, Keith Thompson, Maren Wade, Eric Jordan Young  Photo credit: Ross Kyker Photo

The show starts with a rousing performance of the original song "Cocktail Cabaret." Written by Keith Thompson, the song sets the tone and brands this show as its own unique production and much more than a night of cabaret style compositions of popular hits. After that Maren Wade slinks onstage and into her slow tempo version of Girls Just Wanna Have Fun, followed by another original from Thompson, The Man at the Piano which is an interactive duet with Philip Fortenberry and Daniel Emmet (a current season contestant on "America's Got Talent").

The next highlight for me was the duet with Young and Emmet of Now or Never which becomes a bit competitive between the two, but don't worry it's all part of the act! By the time Niki Scalera lifts her bedazzled arm high to launch into her chilling version of Diamonds are Forever, the audience is fully engaged in this production for the remaining of the 19 songs and medleys; some even breaking into mid show spontaneous standing ovations. After one of Daniel Emmet's songs where he went back and forth between English and Italian lyrics, Hailey leaned over to me and said, "He just brought tears to my eyes."

By the time the show was nearing the end with a dynamic rendition of Raise Your Glass, our table of four was in high spirits. After exchanging contact information with our new friends, my husband and I headed out of the venue and on to the rest of the evening carrying with us the bubbly energy of "The Cocktail Cabaret."

"The Cocktail Cabaret" was created by the founders of PK Entertainment, Keith Thompson ("Jersey Boys," "The Composer's Showcase") and Philip Fortenberry, (award winning pianist with multiple Broadway credits). The band is Josh Jones, Don Meoli and Eric Tewalt. It runs about 70 minutes with no intermission in the 150 seat floating Cleopatra's Barge lounge at Caesars Palace. Wednesdays - Saturdays 6pm